{"id":1411,"date":"2016-05-20T01:27:32","date_gmt":"2016-05-19T16:27:32","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=1411"},"modified":"2017-12-13T12:47:23","modified_gmt":"2017-12-13T03:47:23","slug":"queen-size-2","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/performing-arts\/queen-size-2\/","title":{"rendered":"QUEEN-SIZE"},"content":{"rendered":"<p><em>Queen-size\u00a0<\/em>is a choreographic exploration that takes the form of a detailed study of the intimacy between two men. Played out on a charpoy, the duet examines the nuts and bolts \u2013 carnal, mechanical and emotional \u2013 of a close encounter between two male bodies. In deliberately making this encounter visible,\u00a0<em>Queen-size<\/em>\u00a0poses questions around spectatorship, privacy and dissent.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Queen-size\u00a0is a choreographic exploration that takes the form of a detailed study of the intimacy between two men. Played out on a charpoy, the duet examines the nuts and bolts \u2013 carnal, mechanical and emotional \u2013 of a close encounter between two male bodies. In deliberately making this encounter visible,\u00a0Queen-size\u00a0poses questions around spectatorship, privacy and dissent.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[10,27],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1411"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=1411"}],"version-history":[{"count":8,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1411\/revisions"}],"predecessor-version":[{"id":2045,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1411\/revisions\/2045"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=1411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=1411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=1411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}