{"id":1546,"date":"2016-10-07T15:28:28","date_gmt":"2016-10-07T06:28:28","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=1546"},"modified":"2019-10-13T11:29:31","modified_gmt":"2019-10-13T02:29:31","slug":"%e3%82%b3%e3%83%b3%e3%82%b5%e3%83%bc%e3%83%88-messege-from-a-medicine-man","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/concert\/%e3%82%b3%e3%83%b3%e3%82%b5%e3%83%bc%e3%83%88-messege-from-a-medicine-man\/","title":{"rendered":"MMM"},"content":{"rendered":"

Message from a Medicine Man weaves field recordings with atmospheric effects, electronic music, vocals, string and piano instrumentation, and experimental techniques of musical composition using recorded sounds as raw material. Morinaga conjures up a sacred space with music, spoken word, and mesmerising ambient lights, inspired by the traditional and contemporary music including the soundscape of Indonesia.<\/p>\n

 <\/p>\n

Tickets are available at\u00a0Here<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Message from a Medicine Man weaves field recordings with atmospheric effects, electronic music, vocals, string and piano instrumentation, and experimental techniques of musical composition using recorded sounds as raw material. Morinaga conjures up a sacred space with music, spoken word, and mesmerising ambient lights, inspired by the traditional and contemporary music including the soundscape of Indonesia.   Tickets are available at\u00a0Here<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12,27],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1546"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=1546"}],"version-history":[{"count":8,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1546\/revisions"}],"predecessor-version":[{"id":2437,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1546\/revisions\/2437"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=1546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=1546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=1546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}