{"id":1900,"date":"2017-07-17T02:40:28","date_gmt":"2017-07-16T17:40:28","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=1900"},"modified":"2018-02-15T10:03:09","modified_gmt":"2018-02-15T01:03:09","slug":"con2001","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/publication\/con2001\/","title":{"rendered":"Lonely Lodger by Li Jianhong [CHINA]"},"content":{"rendered":"<p>Chinese free-improv guitarist, Li Jianhong plays electric guitar &#038; electronically processes sound recorded with ambient sounds near Lijiang, in Southwest China\u2019s Yunnan Province. Li Jianhong marks this kind of recording approach as \u201cenvironmental improvisation.\u201d This album comprises the memories and emotions experienced at the artist-in-residence program Lijiang Studio, in 2013.<br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>Chinese free-improv guitarist, Li Jianhong plays electric guitar &#038; electronically processes sound recorded with ambient sounds near Lijiang, in Southwest China\u2019s Yunnan Province. Li Jianhong marks this kind of recording approach as \u201cenvironmental improvisation.\u201d This album comprises the memories and emotions experienced at the artist-in-residence program Lijiang Studio, in 2013.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[24,2],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1900"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=1900"}],"version-history":[{"count":24,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1900\/revisions"}],"predecessor-version":[{"id":2125,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1900\/revisions\/2125"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=1900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=1900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=1900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}