{"id":1940,"date":"2017-09-21T11:08:22","date_gmt":"2017-09-21T02:08:22","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=1940"},"modified":"2018-04-11T20:48:20","modified_gmt":"2018-04-11T11:48:20","slug":"the-seen-and-unseen","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/cinema\/the-seen-and-unseen\/","title":{"rendered":"Sekala Niskala"},"content":{"rendered":"<p>One day in a hospital room, 10-year-old Tantri realises she will not have much more time with her twin brother Tantra. Tantra\u2019s brain is weakening and he has begun to lose his senses one by one. He now spends most of his time lying in bed, while Tantri has to accept the reality that she must soon face life alone. This situation opens up something in Tantri\u2019s mind: she keeps waking up in the middle of the night from a dream and seeing Tantra. The night becomes their playground. Under the full moon, Tantri dances \u2013 about her home, about her feelings. As the moon dims and is replaced by the sun, so Tantri\u2019s becoming a woman eclipses Tantra\u2019s fading life. Tantri experiences a magical journey and an emotional relationship through body expressions, finding herself between reality and imagination, loss and hope.<\/p>","protected":false},"excerpt":{"rendered":"<p>One day in a hospital room, 10-year-old Tantri realises she will not have much more time with her twin brother Tantra. Tantra\u2019s brain is weakening and he has begun to lose his senses one by one. He now spends most of his time lying in bed, while Tantri has to accept the reality that she must soon face life alone. This situation opens up something in Tantri\u2019s mind: she keeps waking up in the middle of the night from a dream and seeing Tantra. The night becomes their playground. Under the full moon, Tantri dances \u2013 about her home, about her feelings. As the moon dims and is replaced by [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1940"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=1940"}],"version-history":[{"count":23,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1940\/revisions"}],"predecessor-version":[{"id":2186,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/1940\/revisions\/2186"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=1940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=1940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=1940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}