{"id":2167,"date":"2018-04-11T14:48:23","date_gmt":"2018-04-11T05:48:23","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=2167"},"modified":"2024-08-03T19:14:39","modified_gmt":"2024-08-03T10:14:39","slug":"photo21_21","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/installation\/photo21_21\/","title":{"rendered":"Polar City"},"content":{"rendered":"<p>Naoki Ishikawa + Yasuhiro Morinaga &#8220;POLAR CITY&#8221;<br \/>\nThis is a collaboration of photographer Naoki Ishikawa and sound artist Yasuhiro Morinaga. With the theme of &#8220;lights and voices of the planet&#8221; that lead the Earth to space by organic ensemble of photos and acoustics, they use photographic works and field recordings of sound\/images to dynamically express the babble of noises in each city that makes us consider Earth as one planet.<\/p>","protected":false},"excerpt":{"rendered":"<p>Naoki Ishikawa + Yasuhiro Morinaga &#8220;POLAR CITY&#8221; This is a collaboration of photographer Naoki Ishikawa and sound artist Yasuhiro Morinaga. With the theme of &#8220;lights and voices of the planet&#8221; that lead the Earth to space by organic ensemble of photos and acoustics, they use photographic works and field recordings of sound\/images to dynamically express the babble of noises in each city that makes us consider Earth as one planet.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,27],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2167"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=2167"}],"version-history":[{"count":8,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2167\/revisions"}],"predecessor-version":[{"id":3066,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2167\/revisions\/3066"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=2167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=2167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=2167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}