{"id":2402,"date":"2019-07-18T08:51:02","date_gmt":"2019-07-17T23:51:02","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=2402"},"modified":"2019-12-31T11:17:27","modified_gmt":"2019-12-31T02:17:27","slug":"peer-gynts","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/performing-arts\/peer-gynts\/","title":{"rendered":"Peer Gynts"},"content":{"rendered":"<p>The project looks at Ibsen\u2019s Peer Gynt as a courageous tactical manual of exploring and intentionally getting lost in the world. Looking at the world from some corner of Asia, Peer Gynt encourages us to travel, to restlessly seek and question, to uncover and un-map the seemingly mapped global world and politics. Peer Gynt calls for a different world map and this project seeks to delve into the call.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The project looks at Ibsen\u2019s Peer Gynt as a courageous tactical manual of exploring and intentionally getting lost in the world. Looking at the world from some corner of Asia, Peer Gynt encourages us to travel, to restlessly seek and question, to uncover and un-map the seemingly mapped global world and politics. Peer Gynt calls for a different world map and this project seeks to delve into the call.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[10,27],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2402"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=2402"}],"version-history":[{"count":2,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2402\/revisions"}],"predecessor-version":[{"id":2440,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2402\/revisions\/2440"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=2402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=2402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=2402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}