{"id":2847,"date":"2022-04-24T05:14:06","date_gmt":"2022-04-23T20:14:06","guid":{"rendered":"https:\/\/www.the-concrete.org\/?p=2847"},"modified":"2022-04-24T05:16:18","modified_gmt":"2022-04-23T20:16:18","slug":"for-a-friend-to-a-friend","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/for-a-friend-to-a-friend\/","title":{"rendered":"For a Friend, To a friend, \u2026"},"content":{"rendered":"<p>This piece is dedicated to two Indonesian art masters, Gunawan Maryanto, who died in 2021, one of Indonesia&#8217;s most prominent poets, with whom Morinaga worked on several projects, and Bambang Mbesur, a vocal artist who died in 2020.<\/p>\n<p>The texts were created for the sonic theater project \u201cGong ex Machina\u201d, by Yasuhiro Morinaga and Yudi Ahmad Tajudin.<\/p>\n<p>It is recommended to use headphones while listening to the piece.<\/p>\n<p>&#8211;TEXT 1<br \/>\nBe my back<br \/>\nI am a turtle traveling in time<\/p>\n<p>The pounding gong composes the body we inhabit<br \/>\nComposing the islands we live in<br \/>\nComposing I<br \/>\nComposing you.<\/p>\n<p>The vibration of the sound harbors the memories of a far and lengthy travel<br \/>\nThat pounding gong<br \/>\nReverberating time<\/p>\n<p>TEXT 2<br \/>\nin the beginning was sound. A bang: be!<br \/>\nAnd then, vibration, a long hum that creates a wave<br \/>\nCreating space, and also: time<br \/>\nAnd then nebula, partly clumping up, hardening,<br \/>\nbecoming planet.<br \/>\nAdd infinite numbers of planets,<br \/>\nadd trillions of galaxies.<br \/>\nAnd among them all a little dot,<br \/>\nso little it is insignificant: Earth: Us<\/p>\n<p>In the beginning was sound<br \/>\nA bang and a long hum that create everything within<br \/>\nseven days<\/p>\n<p>TEXT 3<br \/>\n\u201cDo you hear me?<br \/>\nDo you really hear me?<br \/>\nDo you understand me?<br \/>\nDo you really understand me?\u201d<\/p>\n<p>Track List:<br \/>\nJavanese instrument, Gender for Ruwatan rituals<br \/>\n[recorded in Yogyakarta, Indonesia]<\/p>\n<p>Voice by Gunawan Maryanto &#038; Rizman Putra<br \/>\n[recorded in Tokyo, Japan]<\/p>\n<p>Threshing by Ede-Bih Group<br \/>\n[recorded in Dak Lak, Vietnam]<\/p>\n<p>Meras Gandrung by Haidi, the Osing Group<br \/>\n[recorded in Banyuwangi, Indonesia]<\/p>\n<p>Saggeypo by Kalinga Group<br \/>\n[recorded in Luzon, Philippines]<\/p>\n<p>Pinwheel by Ede group<br \/>\n[recorded in Buon Ma Thuot, t, Vietnam]<\/p>","protected":false},"excerpt":{"rendered":"<p>This piece is dedicated to two Indonesian art masters, Gunawan Maryanto, who died in 2021, one of Indonesia&#8217;s most prominent poets, with whom Morinaga worked on several projects, and Bambang Mbesur, a vocal artist who died in 2020. The texts were created for the sonic theater project \u201cGong ex Machina\u201d, by Yasuhiro Morinaga and Yudi Ahmad Tajudin. It is recommended to use headphones while listening to the piece. &#8211;TEXT 1 Be my back I am a turtle traveling in time The pounding gong composes the body we inhabit Composing the islands we live in Composing I Composing you. The vibration of the sound harbors the memories of a far and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[34,27],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2847"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=2847"}],"version-history":[{"count":3,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2847\/revisions"}],"predecessor-version":[{"id":2850,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/2847\/revisions\/2850"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=2847"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=2847"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=2847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}