{"id":371,"date":"2015-06-02T23:57:30","date_gmt":"2015-06-02T14:57:30","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=371"},"modified":"2020-11-05T20:56:13","modified_gmt":"2020-11-05T11:56:13","slug":"to-belong-suwung","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/performing-arts\/to-belong-suwung\/","title":{"rendered":"To Belong"},"content":{"rendered":"<p><\/p>\n<p>&#8220;To Belong \/ Suwung&#8221; is an Indonesia-Japan international collaborative project, in which the choreographer, Akiko Kitamura takes a challenging role. \u00a0This project, based on elaborative researches since 2010, \u00a0was performed in Asian countries and earned high evaluations. The latest version of &#8220;To Belong \/ Suwung&#8221; was premiered at the Aoyama Round Theatre in Tokyo.<\/p>\n<p>Artists, taking active roles in dances, music, and visual arts got together from each country to perform in this project.\u00a0Dialogues among generations, contemporary dance, traditional dance, martial art, backbones of each artist, and interactions with keen bodily senses generated\u00a0intensive magnetic fields.<\/p>\n<p>The artists successfully reached the creation of new stage world by unifying the Indonesian tradition, mystic energy, and the modern expression.<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;To Belong \/ Suwung&#8221; is an Indonesia-Japan international collaborative project, in which the choreographer, Akiko Kitamura takes a challenging role. \u00a0This project, based on elaborative researches since 2010, \u00a0was performed in Asian countries and earned high evaluations. The latest version of &#8220;To Belong \/ Suwung&#8221; was premiered at the Aoyama Round Theatre in Tokyo. Artists, taking active roles in dances, music, and visual arts got together from each country to perform in this project.\u00a0Dialogues among generations, contemporary dance, traditional dance, martial art, backbones of each artist, and interactions with keen bodily senses generated\u00a0intensive magnetic fields. The artists successfully reached the creation of new stage world by unifying the Indonesian tradition, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/371"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=371"}],"version-history":[{"count":11,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/371\/revisions"}],"predecessor-version":[{"id":2695,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/371\/revisions\/2695"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}