{"id":451,"date":"2015-06-03T09:14:02","date_gmt":"2015-06-03T00:14:02","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=451"},"modified":"2018-02-08T01:54:45","modified_gmt":"2018-02-07T16:54:45","slug":"%e6%81%8b%e3%81%ae%e7%bd%aa","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/cinema\/%e6%81%8b%e3%81%ae%e7%bd%aa\/","title":{"rendered":"Guilty of Romance"},"content":{"rendered":"<p>A grisly murder occurs in Maruyama-cho, Shibuya, Tokyo \u2013 a love hotel district \u2013 where a woman is found dead in a derelict apartment. Whilst the police investigate, the story interweaves with that of Izumi, the wife of a famous romantic novelist whose life seems just a daily repetition without romance. One day, to break away from the loveless monotony, she decides to follow her desires and accepts a job as a nude model enacting sex in front of the camera. Soon she meets with a mentor and starts selling her body to strangers, whilst at home she hides behind the facade that she is still the wife she is supposed to be.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A grisly murder occurs in Maruyama-cho, Shibuya, Tokyo \u2013 a love hotel district \u2013 where a woman is found dead in a derelict apartment. Whilst the police investigate, the story interweaves with that of Izumi, the wife of a famous romantic novelist whose life seems just a daily repetition without romance. One day, to break away from the loveless monotony, she decides to follow her desires and accepts a job as a nude model enacting sex in front of the camera. Soon she meets with a mentor and starts selling her body to strangers, whilst at home she hides behind the facade that she is still the wife she is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/451"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=451"}],"version-history":[{"count":13,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/451\/revisions"}],"predecessor-version":[{"id":2113,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/451\/revisions\/2113"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}