{"id":657,"date":"2015-10-17T19:38:06","date_gmt":"2015-10-17T10:38:06","guid":{"rendered":"http:\/\/www.the-concrete.org\/?p=657"},"modified":"2020-02-11T12:24:53","modified_gmt":"2020-02-11T03:24:53","slug":"%e6%98%a0%e5%83%8f%e3%81%ae%e7%99%ba%e8%a6%8b-%e2%80%95-%e6%9d%be%e6%9c%ac%e4%bf%8a%e5%a4%ab%e3%81%ae%e6%99%82%e4%bb%a3","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/work\/cinema\/%e6%98%a0%e5%83%8f%e3%81%ae%e7%99%ba%e8%a6%8b-%e2%80%95-%e6%9d%be%e6%9c%ac%e4%bf%8a%e5%a4%ab%e3%81%ae%e6%99%82%e4%bb%a3\/","title":{"rendered":"The Era of T.M"},"content":{"rendered":"<p>Toshio Matsumoto, a master of Japanese avant-garde films, had been challenging the question &#8220;What is image?&#8221;, not only as a director but also as a writer through the works such as &#8220;Discovery of Image &#8211; Avant-Garde and Documentary&#8221;. This is the 700 minute-long documentary film to trace his history.<\/p>","protected":false},"excerpt":{"rendered":"<p>Toshio Matsumoto, a master of Japanese avant-garde films, had been challenging the question &#8220;What is image?&#8221;, not only as a director but also as a writer through the works such as &#8220;Discovery of Image &#8211; Avant-Garde and Documentary&#8221;. This is the 700 minute-long documentary film to trace his history.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/657"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=657"}],"version-history":[{"count":20,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/657\/revisions"}],"predecessor-version":[{"id":791,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/657\/revisions\/791"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}