{"id":79,"date":"2014-10-04T05:59:18","date_gmt":"2014-10-03T20:59:18","guid":{"rendered":"http:\/\/publisher.the-concrete.org\/?p=79"},"modified":"2020-12-30T21:03:51","modified_gmt":"2020-12-30T12:03:51","slug":"yasuhiro-morinaga-roberto-paci-dalo-%e3%80%8ejapanese-girls-at-the-harbor%e3%80%8f","status":"publish","type":"post","link":"https:\/\/www.the-concrete.org\/en\/publication\/yasuhiro-morinaga-roberto-paci-dalo-%e3%80%8ejapanese-girls-at-the-harbor%e3%80%8f\/","title":{"rendered":"\u300eJapanese Girls at the Harbor\u300f"},"content":{"rendered":"<p><\/p>\n<p>CONCRETE presents new CD release, \u201cJapanese Girls at the Harbor.\u201d This is the sonorization for Japanese silent film classic, \u201cMinato no Nihon Musume\u201dby Hiroshi Shimizu, 1933. This CD is the collaborative project between Japanese sound designer, Yasuhiro Morinaga and Italian multimedia artist, Roberto Paci Dalo.<\/p>\n<p>The movie Japanese Girls at the Harbor(Minato no Nihon musume) \u2013 directed by Hiroshi Shimizu in 1933 \u2013 is one of the most modern and intercultural Japanese silent films ever produced. Morinaga and Paci Dalo\u2019s new soundtrack for the film creates alternative narrative structures through a complex layering of noise, voices, drones, environmental, instrumental, and electronic sounds.<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>CONCRETE presents new CD release, \u201cJapanese Girls at the Harbor.\u201d This is the sonorization for Japanese silent film classic, \u201cMinato no Nihon Musume\u201dby Hiroshi Shimizu, 1933. This CD is the collaborative project between Japanese sound designer, Yasuhiro Morinaga and Italian multimedia artist, Roberto Paci Dalo. The movie Japanese Girls at the Harbor(Minato no Nihon musume) \u2013 directed by Hiroshi Shimizu in 1933 \u2013 is one of the most modern and intercultural Japanese silent films ever produced. Morinaga and Paci Dalo\u2019s new soundtrack for the film creates alternative narrative structures through a complex layering of noise, voices, drones, environmental, instrumental, and electronic sounds. &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2,26],"tags":[3],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/79"}],"collection":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":10,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/79\/revisions"}],"predecessor-version":[{"id":2760,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/posts\/79\/revisions\/2760"}],"wp:attachment":[{"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/media?parent=79"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/categories?post=79"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.the-concrete.org\/en\/wp-json\/wp\/v2\/tags?post=79"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}