Installation

The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings

Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Outland ethnologies

Thang Mo by Ngoc Dai [Vietnam]
Ngọc Đại is one of the most influential composers in contemporary music in Vietnam. Due to the socio-political and sexual lyrics, the original album was prohibited by government to release in Vietnam. This album presents the Dai's unique singing style, evoking the northern Vietnamese folksong, composition based on the chanson music. Ngọc Đại was born in 1946 in Vietnam. He studied composition in Hanoi Conservatory from 1977 to 1983 but soon decided to leave the national communist system and live as a true independent artist and is probably the only socially and politically committed composer in Vietnam and he has also been recently convicted by the Vietnamese Authorities for being a counter-revolutionary artist when his last album was released.

Performing arts

The Seen and Unseen
One day, Tantri comes to realise she will not have much more time with her bedridden twin brother Tantra, who is losing his senses one by one. Grappling with this reality, Tantri finds solace in the deepness and the darkness of night. Under a full moon, she dances, finding herself between reality and imagination, loss and hope. Tantri experiences a magical and emotional journey into womanhood that eclipses Tantra’s fading life. The Seen and Unseen (Sekala Niskala) is a new performance work, a cross-cultural collaboration between artists from Indonesia, Japan and Australia. Inspired by Indonesian filmmaker Kamila Andini’s film The Seen and Unseen, which has been described as “a truly singular film” (Cinema Scope) and “a haunting and hypnotic interpretation…rooted in Balinese arts and culture” (Variety). This dance-theatre production is a visual feast incorporating dance, live music and song, and features an electronic score, creating a blend of traditional Balinese dance movement with a contemporary approach to theatre. Driving this production is the Balinese philosophy of Sekala Niskala (“the seen and unseen”), a fundamentally dualist spiritual structure that describes what we cannot see as having equal value to what is seen in the world.

Archival sounds

『Archival Sound Series : Jose Maceda』
  Jose Maceda [1917-2004] was an ethnomusicologist and composer from Philippines. Maceda dedicated to the understanding of traditional music of Philippines. Since 1953, He has conduced field research throughout the Philippines and in eastern and western Africa, Brazil, China, Indonesia, Malaysia, Myanmar, Thailand, and Vietnam and has written extensively about this research for the publications. As a composer, Maceda contributed his interest on music concrete since around 1954 and he has conduced his career as a composer. This CD is a collection of different Filipino traditional music and folk songs, recorded by Jose Maceda from 1953 to 1972. The CD dedicates to the ranges of different location, music, song in Philippines and introduces Maceda’s contribution to the field recording techniques and interests.