concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Field recordings
Yasuhiro Morinaga presents Field Recording Series Slamet Gundono [Surakarta, Indonesia]
Slamet Gundono [Surakarta, Indonesia]
The second edition of “Field Recording Series” by Yasuhiro Moringa has released. This edition features Jawa’s charismatic performer, Slamet Gundono. Slamet Gundono is a charismatic performer, musician, puppet shadow master. With his particular ironic sense of humor through the appreciation of traditional Indonesian culture, the unique style of his music and narration have been appreciated by local Indonesians. By his considerable influences, He received a prestigious award, Prince Clause Award in 2005. Sound designer & Music director, Yasuhiro Morinaga met with Slamet Gundono during the production of contemporary dance performance (choreography by Akiko Kitamura) in 2011. Throughout the number of discussions and communications, both Morinaga and Slamet agreed to work collaboratively in producing new recording album. With two microphones, Morinaga captured Slamet’s dynamic voice and instruments and other Indonesian local instruments such as gender or kendang etc. Because of his improvisational music style, the recording has never been replaced or re-recorded. And Morinaga decided not to edit anything during the process of post production process (certain bypass filtering and equalization during the mastering process) to enhance the real sonic environment around him and his musicians.

Cinema
EARTH
“Earth” is a film that consists of three long slow motion shots. It depicts a landscape after a catastrophe – human bodies are mixed here with coils of wire, fragments of pallets and cardboard boxes, as well as dead fish and chaotically flashing light bulbs. The work bears a marked reference to European painting, especially French Romantic painting. The film has borrowed inspiration from Theodore Gericault’s “Raft of the Medusa” from 1819, one of the most significant paintings in France after the Revolution. Also noticeable are references to pieces by Eugene Delacroix (“The Massacre at Chios”, 1824) and Caravaggio (“The Incredulity of Saint Thomas”, 1601-1602 and “David with the Head of Goliath”, ca 1599). The artist’s fascination with old painting – highlighted by the strong light of fluorescent tubes that imitate the chiaroscuro effect of the Baroque paintings – was juxtaposed in the film with the contemporary electronic soundtrack of Black to Comm. Played in slow motion, the music seems hardly recognisable combining two temporally and geographically distant motifs.