concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Concert
SETAN JAWA
Setan Jawa is a contemporary silent film directed by Indonesian master film director, Garin Nugroho to be screened with accompanying live music, under the concept of "Expanded Cinema". This masterpiece was internationally premiered in Melbourne in Australia, followed by worldwide screenings and performances including in Singapore, Amsterdam and Berlin. Japan premiere will be held in Tokyo on July 2nd, 2019 with the 3D sound designed by an emerging sound artist Yasuhiro Morinaga and with the participation by KOM_I, vocalist of "Wednesday Campanella."

Field recordings
Gong Culture of Southeast Asia「Ede-Female」
The Ede groups live mainly in Tay Nguyen, the central highlands of Vietnam. Ede women are the master of their families and the children usually take the family name of their mother. This recording consists of the music played by the only the female group of Ede (Ede-bih – subgroup of original Ede). They only play the gong on special occasions such as festivals, funerals, and welcoming guests. Besides these, their gongs are usually kept in the wooden box and preserved them in the church. In this recording, they played different gong music with 7 gongs. The names of gongs are termed by the order of family members and this female gong group only uses the knobbed gong (also called nipple gong) that the sound is far more resonated than the music from the Ede male gong group which is faster rhythmic patterns and wilder tonalities.

Event/Workshop
善知鳥の伝説
青森に根ざした新たなアートを探求していくプロジェクト「青森EARTH」。津軽半島を主なフィールドと、アーティストと参加者による「ワークショップ」とその「成果発表」を通じて、青森の土地の新しいイメージを発信します。青森県に根付いていた民話『善知鳥』をテーマに、テクストから読み解く音を記録し、検証しながら作品として成果発表することを目指します。