concrete

Current
The Voice of Inconstant Savage
[Commissioned Work] This multifaceted, polyphonic and immersive sound installation by Yasuhiro Morinaga establishes a historical encounter between Portuguese culture and Japan, memories and myths that remain and coexist with other cultures of the Amazon. Commissioned for the Engawa – Japanese Contemporary Art Season programme , The Voice of Inconstant (2023) is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Concert
Anabiosis Passage
"Anabiosis Passage" is a concert in which media technologies creates pioneering music based on Indonesian music cultures including the traditional, pop, and modern music. This unique work stems from "To Belong", the modern dance work by choreographer, Akiko Kitamura, in which Yasuhiro Morinaga takes part as a music director. "Anabiosis Passage" features sounds which Morinaga fieldrecorded in Indonesia, and musicians he met then. This work interprets the Indonesian culture in a modern context by dealing with gamelan, Kroncong, and Hip Hop music and local environmental sounds of Indonesia. This work also deals with the Indonesian musical instruments including the style of rendition and narrative literature as motifs, and creates a modern ritual space based on media technologies. Morinaga from Japan takes the roles of music director and electronic manipulator. Musicians of a string quartet and a pianist are also invited to this work from Japan. "Anabiosis Passage" is definitely a work in which tradition and modernity interact with one another between Indonesia and Japan.  

Field recordings
Gong Culture of Southeast Asia「Bahnar」
The Bahnar are an ethnic group in Vietnam, living from the north to the south and northeast of the Vietnamese central highlands. Bahnar speak a language in the Mon-Khmer language group. These recordings were conducted in Dak Doa, Gia Lai Province. Bahnar people use both knobbed gongs and flat gongs; knobbed gongs mostly have a rhythmic function, the flat gongs are used for melodies. Usually a gong ensemble comprises 8 or 9 gongs in total (6 flat gongs and 2 or 3 knobbed gongs), but the number of gongs can go up to 20 (10 flat gongs, 10 knobbed gongs) or even 22 (11 flat and 11 knobbed). For this recording, the musicians brought different sorts of sharpened twig as drumsticks. the biggest knobbed gong was played by twig of jackfruits. For Bahnar people, gongs - equivalent in value to several water buffaloes - are acquired through exchanges with the people from Laos, Cambodia and nowadays with Kinh groups of Vietnam. Gong music is commonly played among the Bahnar on particular occasions such as harvesting, funeral, buffalo sacrifice, wedding ceremonies, etc.