A pioneer of Japanese Sound Design, Yasuhiro Morinaga’s field recording series has just launched the first edition! This first edition is featuring one of the most astonishing Indonesian singers, Endah Laras, who has been known for Javanese traiditional art like Wayang Kuri. The recording was conduced at the open-air studio, owned by Endah’s father who was regarded as one of the maestro of Javanese Wayang Kuri. The location has rich sonic environment and enriches natural resonance. Through her astonishing voice with different music instruments, such as ukulele and guitalele and other traditional Javanese instruments like gender and Javanese sitar, The music in itself beings us the feeling of Kroncong and Folk. Although we all know that Indonesia has strong tradition in gamelan music or ritual ceremonies, this recording work should be treated as a new music of modern Indonesian sound.

The Bahnar are an ethnic group in Vietnam, living from the north to the south and northeast of the Vietnamese central highlands. Bahnar speak a language in the Mon-Khmer language group. These recordings were conducted in Dak Doa, Gia Lai Province. Bahnar people use both knobbed gongs and flat gongs; knobbed gongs mostly have a rhythmic function, the flat gongs are used for melodies. Usually a gong ensemble comprises 8 or 9 gongs in total (6 flat gongs and 2 or 3 knobbed gongs), but the number of gongs can go up to 20 (10 flat gongs, 10 knobbed gongs) or even 22 (11 flat and 11 knobbed). For this recording, the musicians brought different sorts of sharpened twig as drumsticks. the biggest knobbed gong was played by twig of jackfruits. For Bahnar people, gongs - equivalent in value to several water buffaloes - are acquired through exchanges with the people from Laos, Cambodia and nowadays with Kinh groups of Vietnam. Gong music is commonly played among the Bahnar on particular occasions such as harvesting, funeral, buffalo sacrifice, wedding ceremonies, etc.