concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Cinema
Sekala Niskala
One day in a hospital room, 10-year-old Tantri realises she will not have much more time with her twin brother Tantra. Tantra’s brain is weakening and he has begun to lose his senses one by one. He now spends most of his time lying in bed, while Tantri has to accept the reality that she must soon face life alone. This situation opens up something in Tantri’s mind: she keeps waking up in the middle of the night from a dream and seeing Tantra. The night becomes their playground. Under the full moon, Tantri dances – about her home, about her feelings. As the moon dims and is replaced by the sun, so Tantri’s becoming a woman eclipses Tantra’s fading life. Tantri experiences a magical journey and an emotional relationship through body expressions, finding herself between reality and imagination, loss and hope.

Field recordings
Gong Culture of Southeast Asia「Bahnar」
The Bahnar are an ethnic group in Vietnam, living from the north to the south and northeast of the Vietnamese central highlands. Bahnar speak a language in the Mon-Khmer language group. These recordings were conducted in Dak Doa, Gia Lai Province. Bahnar people use both knobbed gongs and flat gongs; knobbed gongs mostly have a rhythmic function, the flat gongs are used for melodies. Usually a gong ensemble comprises 8 or 9 gongs in total (6 flat gongs and 2 or 3 knobbed gongs), but the number of gongs can go up to 20 (10 flat gongs, 10 knobbed gongs) or even 22 (11 flat and 11 knobbed). For this recording, the musicians brought different sorts of sharpened twig as drumsticks. the biggest knobbed gong was played by twig of jackfruits. For Bahnar people, gongs - equivalent in value to several water buffaloes - are acquired through exchanges with the people from Laos, Cambodia and nowadays with Kinh groups of Vietnam. Gong music is commonly played among the Bahnar on particular occasions such as harvesting, funeral, buffalo sacrifice, wedding ceremonies, etc.

Performing arts
To Belong
"To Belong / Suwung" is an Indonesia-Japan international collaborative project, in which the choreographer, Akiko Kitamura takes a challenging role.  This project, based on elaborative researches since 2010,  was performed in Asian countries and earned high evaluations. The latest version of "To Belong / Suwung" was premiered at the Aoyama Round Theatre in Tokyo. Artists, taking active roles in dances, music, and visual arts got together from each country to perform in this project. Dialogues among generations, contemporary dance, traditional dance, martial art, backbones of each artist, and interactions with keen bodily senses generated intensive magnetic fields. The artists successfully reached the creation of new stage world by unifying the Indonesian tradition, mystic energy, and the modern expression.