concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Outland ethnologies
HOKKAIDO WITH & LIJIANG WITH/OUT
The experiments presented here, Hokkaido With and Lijiang With/Out are, if you will believe it, connected. Think of them as an evolution of inquiries into an artist’s presence or absence in an unfamiliar place, built on both doubt and confidence, both a lack and a surfeit of context. Both projects put pressure on artists by putting them in difficult situations, but by working directly with these problems, the projects and the artists open up new possibilities in their unusual approaches.

Performing arts
Kenta Kojiri + Yasuhiro Morinaga : COROLI
A performative installation that evokes memory Based on the theme of "recording" the "memory" that has been the basis of previous creations, this is an attempt to approach the sense of "flavor" that appears when you visit a certain place. Using the "places" observed and collected by each artist in the theatre, we will try to reconstruct the places that did not coexist, using the sensations and imaginations brought from the space as clues. By inviting the audience to the place of creation, we will guide the existence of a "performative installation" where humans and the environment come and go while further integrating and dismantling.