伝統的な技法と新しいメディアの境界で表現活動を展開しているマレーシアの映像作家クリス・チョンによる実験映画/インスタレーション作品。クアラルンプールの集合住宅BlockB錬を正面から撮影し、ここに居住する人々の生活環境の空間生を重層的に映し出している作品である。  

The Edge of Daybreak examines the devastating psychological landscape of a dysfunctional family as it falls from grace in the shadow of wars. The oppression of the student uprisings in the 1970s and the 2006 military coup are the implicit historic anchors for an equal parts fluid and suffocating family chronicle marred by psychological trauma, violence and guilt complexes. On the eve of a shift in political power, a woman is taken to a safe house, sharing a final meal with her husband before he is smuggled abroad. 30 years earlier, Ploy was a young girl in a coma after nearly drowning. Her father, a soldier, has been missing for three years and her mother is recovering from a nervous breakdown. Together with her lover, her husband’s younger brother, she relives the traumas of their youth. Impending doom and repression pervade monochrome shots of desolate, dilapidated locations with lanterns creating ghostly shadow theatre. The dark soundtrack, minimal cinematic action and slow tempo conjure up a hypnotic state. The characters seem imprisoned in emotional paralysis where past and present meld into a single, endless nightmare. A shadow crosses the sun: is it an omen or will it awaken everyone?