concrete

Installation
The Voice of Inconstant Savage
Commissioned for the Engawa – Japanese Contemporary Art Season programme organized by Calouste Gulbenkian Museum's Modern Art Center, The Voice of Inconstant Savage is an immersive installation that superimposes a prayer inspired by the story of a 16th-century Portuguese missionary, a chant from a Kakure-Kirishitan (hidden Christians) prayer – a religion rooted in Nagasaki Prefecture –, a chant from the Karawara spirits of the Awá indigenous people – who live in the Amazon rainforest – and a chorus of Western Gregorian chant. Morinaga questions the position of the aesthetics of inconstancy in relation to the discourse of the “savage” that modern society confronts.

Field recordings
Sombat Simla: Master Of Bamboo Mouth Organ
Simla is known in Thailand as one of the greatest living players of the khene, the ancient bamboo mouth organ particularly associated with Laos but found throughout East and Southeast Asia. His virtuosic and endlessly inventive renditions of traditional and popular songs have earned him the title ‘the god of khene’, and he is known for his innovative techniques and ability to mimic other instruments and non-musical sound, including, as a writer for the Bangkok Post describes, ‘the sound of a train journey, complete with traffic crossings and the call of barbecue chicken vendors’.

Cinema
A Ripe Volcano
A Ripe Volcano reflects Bangkok as a site of mental eruption and emotionally devastated land during the heights of terrors, primal fears, trauma, and the darkness of time. A Ripe Volcano revisits The Rattanakosin Hotel, the site where the military troops captured and tortured the civilians, students and protesters who were hiding inside the hotel during the Black May of 1992; and Rajadamnern Stadium, a Roman amphitheatre styled Muay Thai boxing arena, which was built in 1941-45 during the Second World War and since then has become the theatrical labyrinth of physical and mental explosions. The work builds around the recollections of human experiences that took place within these spaces and shifts through the mental space distilled from the possessed memory of wounded time.

Installation
POLLINATORS
Focusing on the life of the Hmong people who live in the mountainous regions of northern Vietnam, on this occasion Morinaga presents an installation that overlays shamanistic rituals to wade off evil and misfortune with the honey-collecting activities of beekeepers. Through the symbiotic coexistence of humans, the environment, and life brought about by the respective dialogue between the shaman/spirits and beekeeper/bees, the work serves to introduce an alternative perspective to our social life and the coded systems that exist within it.

Performing arts
Kenta Kojiri + Yasuhiro Morinaga : COROLI
A performative installation that evokes memory Based on the theme of "recording" the "memory" that has been the basis of previous creations, this is an attempt to approach the sense of "flavor" that appears when you visit a certain place. Using the "places" observed and collected by each artist in the theatre, we will try to reconstruct the places that did not coexist, using the sensations and imaginations brought from the space as clues. By inviting the audience to the place of creation, we will guide the existence of a "performative installation" where humans and the environment come and go while further integrating and dismantling.